{"id":511,"date":"2013-05-13T17:04:04","date_gmt":"2013-05-13T17:04:04","guid":{"rendered":"http:\/\/www.letiziaboccabella.com\/?page_id=511"},"modified":"2015-07-20T21:39:26","modified_gmt":"2015-07-20T20:39:26","slug":"fluo","status":"publish","type":"page","link":"https:\/\/www.letiziaboccabella.com\/en\/works\/fluo\/","title":{"rendered":"Fluo"},"content":{"rendered":"

The idea of those paintings was born some years ago. Firstly, I painted panels for a friend of mine for the scenery of a disco. Then I developed the idea to create a particular style which could give a triple reading of my paintings and a technique adapt to any period of time during the day. Let\u2019s say, a painting which changes completely during the hours of the day and upon the exposition to particular luminous effects.<\/p>\n

From the photos represented in the gallery, the effects are not visible, but I want to explain with a detailed description to give the idea of it.
\nIn the pictures in my website, the background seems to be white, but in reality is a light yellow realized by a particular fluorescent paint which absorbs the light from the surrounding. During the day, the painting is exactly as it appears in the gallery, at night, instead, after having absorbed for few minutes the artificial light with a light bulb, if you turn off the light, the painting is luminous in the light yellow part, creating a light zone for a certain period of time depending on how much time it has been exposed to the light source. The third way of reading the painting is to shine the Black light or Wood\u2019s lamp on directly, with the rest of the room completely in the darkness to create the identical effect that you have in a disco when you see your white clothes lighting on becoming white\/light blue. (The Wood’s lamp or Black lamp is a\u00a0lamp\u00a0that emits\u00a0ultraviolet radiation\u00a0in the long-wave range and it is also referred to as a\u00a0UV light,\u00a0ultraviolet light).<\/p>\n

What I want to express through my fluorescent art is a total involvement of the human sight and emotion. I mean, the human eye perceives, a far more intense colour because the fluorescent pigments look so much brighter than the conventional ones. Moreover my art is imbued with them, so that the luminous paint illuminates the entire painting: the emotion that is expressed is a direct consequence of this. As sensations are unconscious, the real effect of light reproduced on canvas let the human consciousness wanders in a \u2018spiritual reality\u2019 completely \u2018abstract\u2019, a parallel world where feelings and passions compose the existence, what I called \u2018Visionary Art\u2019.<\/p>\n

Fluo-flash verde<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tFluo Acrilic, cm 30 x 40. March 2014.\n\t\t\t\t\t<\/figcaption><\/figure>
Fluo-flash verde night vision<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tFluo Acrilic, cm 30 x 40. March 2014.\n\t\t\t\t\t<\/figcaption><\/figure>
Fluo flash rosso<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tAcrilic on canvas, cm 30 x 40. January 2014.\n\t\t\t\t\t<\/figcaption><\/figure>
Fluo flash rosso night vision<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tAcrilic on canvas, cm 40 x 30. January 2014\n\t\t\t\t\t<\/figcaption><\/figure>
Un Soffio di Vento<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tOIL AND FLUO ACRILIC ON CANVAS, CM 90 X 30.\n\t\t\t\t\t<\/figcaption><\/figure>
Un Soffio di Vento<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tPainting in darkness, with the the fluo area more visible\n\t\t\t\t\t<\/figcaption><\/figure>
Espansione<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tACRILIC AND FLUO ACRILIC ON CANVAS, CM 100 X 100\n\t\t\t\t\t<\/figcaption><\/figure>
Espansione<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tPainting in partial darkness, with the the fluo area more visible\n\t\t\t\t\t<\/figcaption><\/figure>
Espansione<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tPainting in darkness, with the the fluo area more visible\n\t\t\t\t\t<\/figcaption><\/figure>
Maschile femminile<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tACRILIC AND FLUO ACRILIC ON CANVAS, CM 100 X 50.\n\t\t\t\t\t<\/figcaption><\/figure>
Tormento<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tACRILIC AND FLUO ACRILIC ON CANVAS, CM 100 X 80.\n\t\t\t\t\t<\/figcaption><\/figure>
Maternit\u00e0<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tOIL ACRILIC AND FLUO ACRILIC ON WOOD, CM. 50 x 70.\n\t\t\t\t\t<\/figcaption><\/figure>
Serpente<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\tOIL ACRILIC AND FLUO ACRILIC ON WOOD, CM. 35 X 80.\n\t\t\t\t\t<\/figcaption><\/figure>\n\t\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"

The idea of those paintings was born some years ago. Firstly, I painted panels for a friend of mine for the scenery of a disco. Then I developed the idea to create a particular style which could give a triple reading of my paintings and a technique adapt to any period of time during the day. Let\u2019s say, a painting which changes completely during the hours of the day and upon the exposition to particular luminous effects.<\/p>\n","protected":false},"author":126,"featured_media":1038,"parent":507,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"full-width-page.php","meta":{"footnotes":""},"class_list":["post-511","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nFluo - Letizia Boccabella<\/title>\n<meta name=\"description\" content=\"The idea of those paintings was born some years ago. Firstly, I painted panels for a friend of mine for the scenery of a disco. Then I developed the idea to create a particular style which could give a triple reading of my paintings and a technique adapt to any period of time during the day. Let\u2019s say, a painting which changes completely during the hours of the day and upon the exposition to particular luminous effects.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.letiziaboccabella.com\/en\/works\/fluo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fluo - Letizia Boccabella\" \/>\n<meta property=\"og:description\" content=\"The idea of those paintings was born some years ago. Firstly, I painted panels for a friend of mine for the scenery of a disco. 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